
The Sensory Void
How absence becomes a subject when the body is treated as a scale marker inside an impossible room.
Journal
Short studies on perception, scale, matter and the slow choreography of immersive visual worlds.


How absence becomes a subject when the body is treated as a scale marker inside an impossible room.

Why circular apertures, thresholds and slow vertical movement keep returning in our spatial films.

Floating objects let a landscape become measurable without explaining itself too quickly.